Publisher:
Manchester City Galleries/Lund Humphries
Published:
2003
Language:
English
Alibris ID:
17735583825
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1150grams, ISBN: 9780853318903.
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Seller's Description:
Very Good in Very Good jacket. Some bumping to lower corners. Jim Partridge (b.1953) is a craftsman who specializes in our place in the landscape. His work, often made in partnership with Liz Walmsley, has included sheltering seats for a windswept Northumberland headland, tempting footbridges over highland burns, and an altar and cross cut from a single block of oak for Christ Church Cathedral in Oxford. These objects assert a strong but quiet presence within their surroundings. This book celebrates Jim Partridge's achievements as one of the UK's finest woodworkers. His smaller studio work has been exhibited widely and features in prestigious museum collections in Britain, America and Japan. He also works with architects on urban public art projects and domestic furniture commissions, and in 1999 was shortlisted for the prestigious Jerwood Applied Arts Prize (furniture), winning the public vote. Partridge's highly distinctive style, maximizing the sensual qualities of his materials, is reflected by the pieces illustrated in this book, from delicate carved and turned vessels to monumental site-specific commissions. Beautifully photographed and designed, and published in conjunction with a solo exhibition of the artist's works at the Manchester City Galleries.
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Seller's Description:
Fine Condition in Near Fine jacket. 128 pages. Hardcover catalogue, bound in light brown colored cloth covered boards, and wrapped in an illustrated paper dustjacket. Light rubbing and handling crease to the lower edge of the dustjacket, but otherwise, the jacket is bright and intact. The binding is sharp, tight, and essentially new, with a clean interior free of markings. Beautifully photographed and designed, and published in conjunction with a solo exhibition of the artist's works at the Manchester City Galleries.
