Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 200grams, ISBN: 9780851705019.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
London. 1994. British Film Institute. 1st American Edition. Very Good in Wrappers. 0851705014. BFI Film Classics. 72 pages. paperback. keywords: Film. FROM THE PUBLISHER-When Meet Me in St. Louis was first released fifty years ago, it achieved instant success, becoming MGM's most popular film to date. Since then it has effortlessly retained its place in the pantheon of great musicals. But elegant and graceful though it may be, this was not the easiest of films to make. Gerald Kaufman has done extensive research in the records of MGM deposited in the University of Southern California. He recounts how successive teams of writers laboured over the script, changing names, characters and story-lines. He reveals the numerous delays in production, many due to the erratic behaviour of Judy Garland, who altogether was absent for thirteen days of filming. That the film turned out so brilliantly is, in Kaufman's view, due largely to the credit of its director, Vincente Minnelli, who drew from an initially reluctant Judy Garland her most immaculate performance. An extended section of the book explores in detail Minnelli's contribution to the fluidity of the visual style and the richness of the decor. inventory #34829.
