Add this copy of Inherent Vice Bootleg Histories of Videotape and to cart. $27.82, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 2009 by MD-Duke University Press.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of Inherent Vice Bootleg Histories of Videotape and to cart. $29.56, new condition, Sold by Paperbackshop International rated 4.0 out of 5 stars, ships from Fairford, GLOS, UNITED KINGDOM, published 2009 by MD-Duke University Press.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $34.48, new condition, Sold by Kennys.ie rated 4.0 out of 5 stars, ships from Galway, IRELAND, published 2009 by Duke University Press.
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Seller's Description:
New. This eye-opening exploration of the aesthetic and legal innovations of home video revisits four decades of frequently overlooked histories of video recording. Num Pages: 352 pages, 54 illustrations. BIC Classification: AJRH; HBTB; JFDT; LNRC. Category: (G) General (US: Trade). Dimension: 5969 x 3963 x 23. Weight in Grams: 499. 2009. Illustrated. Paperback.....We ship daily from our Bookshop.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $33.90, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2009 by Duke University Press.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $11.65, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2009 by Duke University Press Books.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $12.94, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2009 by Duke University Press Books.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $17.44, new condition, Sold by PlumCircle rated 5.0 out of 5 stars, ships from West Mifflin, PA, UNITED STATES, published 2009 by Duke University Press Books.
Add this copy of Inherent Vice: Bootleg Histories of Videotape and to cart. $31.95, very good condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2009 by Duke University Press.
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Used-Very Good. In an age of digital technology and renewed anxiety about media piracy, 'Inherent Vice' revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users' right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an 'aesthetics of access' most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video's visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of 'Superstar: The Karen Carpenter Story, ' a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog. Examines the artistic and legal implications of videotape recording technology--from debates about fair use and copyright infringement to amateur archiving of ephemeral content.
