Publisher:
New York Graphic Society/Little, Brown and Company
Published:
1982
Alibris ID:
16621321926
Shipping Options:
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Seller's Description:
Fine in Near fine jacket. Stated first edition, 1982, hardcover, quarto, 231pp., illustrated in b&w. Book fine, binding tight, text clean bright and unmarked. DJ near fine with slightest edge wear. "...explores the roots and development of the photographer's imagery, aesthetic attitudes, formal structure, and stylistic directions--displaying the 'parts, ' as he describes it, to share with the reader something of the nonverbal whole."
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Seller's Description:
Book is in good condition. Minimal signs of wear. It May have markings or highlights but kept to only a few pages. May not come with supplemental materials if applicable.
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Seller's Description:
Very Good. 1st edition 1st printing-some foxing to top page edge-very slight wear to dust jacket-otherwise cover and binding fine contents clean-enjoy.
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Seller's Description:
Like New in Fine jacket. Size: 10x9x0; A retrospective examination of the often surreal photographs of Uelsmann. Features text by James Enyeart. Includes 140 duotones, 34 halftones and 3 color plates, chronology, selected bibliography, list of previous exhibitions, and public collections. Jerry N. Uelsmann (born June 11, 1934) is an American photographer and was an early exponent of photomontage in the 20th century in America. His work in darkroom effects foreshadowed the use of Adobe Photoshop to make surrealistic images in the late 20th century, a process led by his now-ex-wife, Maggie Taylor, at that time. He received a Guggenheim Fellowship in 1967, a National Endowment for the Arts Fellowship in 1972, and the Lucie Award in Fine Art in 2015. He is a Fellow of the Royal Photographic Society of Great Britain, a founding member of The Society of Photographic Education.
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Seller's Description:
Good in Good jacket. First printing. Inscribed by Uelsmann to photographer Jack Welport on the half-title page. Part of cover and dust jacket water damaged.
