Cesaire has been read politically as a poet of revolutionary zeal since the 1960s. This collection, a retrospective of Cesaire's poetic production demonstrates the narrowness of earlier readings that grew out of the climate of Black Power influenced by the essays of Franz Fanon, another Martinican, who was largely responsible for the ambient view of Cesaire a generation ago. It is the first collection to translate "And the Dogs Were Silent" and "i, laminaria". "Lyric and Dramatic Poetry, 1946-82" locates the issues of ...
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Cesaire has been read politically as a poet of revolutionary zeal since the 1960s. This collection, a retrospective of Cesaire's poetic production demonstrates the narrowness of earlier readings that grew out of the climate of Black Power influenced by the essays of Franz Fanon, another Martinican, who was largely responsible for the ambient view of Cesaire a generation ago. It is the first collection to translate "And the Dogs Were Silent" and "i, laminaria". "Lyric and Dramatic Poetry, 1946-82" locates the issues of Cesaire's struggle with an emerging postmodern vision, showing him to be a major figure in the conflict between tradition and contemporary cultural identity. In his introductory essay A.James Arnold engages Derrida dnd deconstruction to demonstrate by contrast the originality of Cesaire's retrospective critique of modernism.
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Add this copy of Lyric and Dramatic Poetry, 1946-82 to cart. $37.00, very good condition, Sold by Chaparral Books rated 5.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 1990 by The University Press of Virginia.
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Seller's Description:
Very Good. No dustjacket as issued. Size: 9x6x1; Bound in publisher's goldenrod cloth with black lettering on the spine. Very good with some light handling on the boards. Contents clean. 8vo. lvi, 235pp.
