This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral culture of the Sutton Hoo treasure, as well as the literate art of the Carolingian and Ottonian courts. Diebold describes the stunning variety of early medieval ...
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This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral culture of the Sutton Hoo treasure, as well as the literate art of the Carolingian and Ottonian courts. Diebold describes the stunning variety of early medieval objectsillustrated manuscripts, rich metalwork, ivories, textiles, statuary, jewels, painting and architecture. There are 63 black and white illustrations and 4 plates in color. }This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral culture of the Sutton Hoo treasure, as well as the literate art of the Carolingian and Ottonian courts. Diebold describes and explains the stunning variety of early medieval objects--illustrated manuscripts, rich metal work, ivories, textiles, statuary, jewels, painting and architecture produced north of the Alps beginning with Pope Gregory's Christianization of England and his justification of images, and ending with the spectacular gold reliquary statue of Ste. Foy at Conques, which separates Early Medieval art from the Romanesque. Diebold also discusses the function of (and audience for) medieval art; he shows why, how, and for whom it was made. Diebold outlines the role of artists and patrons in medieval society, and he explains art's institutional and social status. He defines basic historical and art-historical terms and concepts as they are encountered, and illustrations, a map, a glossary, notes, suggestions for further reading, and an index are included. }
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Add this copy of Word and Image: the Art of the Early Middle Ages, 600 to cart. $22.97, good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2000 by Routledge.
Add this copy of Word and Image: an Introduction to Early Medieval Art to cart. $46.95, like new condition, Sold by Broad Street Books rated 5.0 out of 5 stars, ships from Branchville, NJ, UNITED STATES, published 2000 by Westview Press.
Add this copy of Word and Image: an Introduction to Early Medieval Art to cart. $132.62, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2000 by Westview Press.
Add this copy of Word and Image: an Introduction to Early Medieval Art to cart. $171.74, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2000 by Westview Press.
