Despite the recent outpouring of scholarship on Piers Plowman, Lawrence Warner contends, we know much less about the poem's production, transmission, and readership than one might think. When did William Langland write each of the three versions of the poem, and when did they enter wide circulation? What role did scribes and other agents play in these processes? The Lost History of "Piers Plowman" engages with these questions to bring about a fundamental shift in our understanding of the genesis and development of the ...
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Despite the recent outpouring of scholarship on Piers Plowman, Lawrence Warner contends, we know much less about the poem's production, transmission, and readership than one might think. When did William Langland write each of the three versions of the poem, and when did they enter wide circulation? What role did scribes and other agents play in these processes? The Lost History of "Piers Plowman" engages with these questions to bring about a fundamental shift in our understanding of the genesis and development of the Middle English poem. According to received history, the poem exists in three distinct, chronological versions, the A, B, and C texts, with most scholars agreeing that Langland completed the B text-the version most familiar to modern readers-around 1377-78. Challenging much of the prevalent wisdom about the poem, Warner argues that the received B text is not an integral poem aligned with a single author but, rather, two groups of manuscripts, each of which, because of scribal activities, takes on varying amounts of what we now call C version matter. Through close textual analysis, he reveals that the B text is a conflation of an ur-B text with a collection of passages that belong to the C version of circa 1390, demonstrating that the circulation of the C text actually predates that of the B. The Lost History of "Piers Plowman" is a groundbreaking and provocative work that establishes an entirely new paradigm for the study of one of the central works of Middle English literature. It will be of interest to scholars and students of textual studies, editorial theory, and medieval history.
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Seller's Description:
Fine. Sewn binding. Paper over boards. With dust jacket. 136 p. Contains: Unspecified, Illustrations, black & white. Middle Ages. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Sewn binding. Paper over boards. With dust jacket. 136 p. Contains: Unspecified, Illustrations, black & white. Middle Ages. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Near Fine in very good jacket. First edition, 2011. 8vo, blue cloth hardcover, xviii, 117 pp. Book is Near Fine, pages are clean, bright, and unmarked. Mild bumping to crown and foot of spine. Dust jacket is Very Good, with minor closed tear to corner where rear panel meets rear flap. Light creasing to corner of front flap, mild waviness to rear panel, and light bumping to crown and foot of spine. Dust jacket is housed in archival dust jacket protector.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
