Portraits, like the printed texts and manuscript documents more conventionally used by historians, can serve as historical evidence. They are central to our understanding of the social construction of personal identity-of how people presented themselves in a social context. Franklin and His Friends takes a new, cross-disciplinary look at early American science through the lens of portraiture. Portraits by such accomplished American painters as Gilbert Stuart, John Singleton Copley, and Charles Willson Peale tell a unique ...
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Portraits, like the printed texts and manuscript documents more conventionally used by historians, can serve as historical evidence. They are central to our understanding of the social construction of personal identity-of how people presented themselves in a social context. Franklin and His Friends takes a new, cross-disciplinary look at early American science through the lens of portraiture. Portraits by such accomplished American painters as Gilbert Stuart, John Singleton Copley, and Charles Willson Peale tell a unique story through imagery that defines not only likeness but also constructs the identity of the subject as a member of the larger community of science. Anchored by the figure-and portraits-of Benjamin Franklin (1706-1790), whose scientific reputation was universal within the Western republic of letters, this book also encompasses his scientific colleagues, many of whom were his friends. Many of Franklin's countrymen, some well-known to us and others shrouded in obscurity, shared his delight in scientific knowledge and experiments, and, like Franklin, worked with artists to create portraits that clearly reveal their scientific interests. The authors examine the original context and reception of these portraits, and contend that they situate each subject within his local community as well as across cultural, economic, and geographical boundaries to fix him within the international community of science. The last section of the book highlights images of men of science created after the American Revolution, and explores the connections expressed in portraiture between science and the developing culture of the United States.
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Seller's Description:
VG. Glossy color-illustrated softcover. xiii, 178 pp. BW and color illustrations. Published to accompany an exhibition at the National Portrait Gallery of the Smithsonian Institution in 1999. The exhibit highlighted the 18th century fascination with science and men of science.
