'If the model is the exhibitionist then I am the voyeur'. In photographer Richard Kern's latest book he explores the world as a voyeur. Through his series of carefully constructed vignettes, Kern's girls seemingly unaware of the camera, dress and undress for a camera shooting through the window or discreetly between the branches of a tree. Merging the line between public and private this collection of photos peek into a world of mystery and eroticism.
Read More
'If the model is the exhibitionist then I am the voyeur'. In photographer Richard Kern's latest book he explores the world as a voyeur. Through his series of carefully constructed vignettes, Kern's girls seemingly unaware of the camera, dress and undress for a camera shooting through the window or discreetly between the branches of a tree. Merging the line between public and private this collection of photos peek into a world of mystery and eroticism.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good dust jacket. 0810995301. The dust jacket is slightly creased along the bottom edges. Brown cloth with illustrated endpapers. Features a short story by Geoff Nicholson, The Modern Voyeur. Explicit photos. Unpaginated, approximately 150 pages.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Hardcover. 4to. Published by Harry N Abrams, New York. 2008. 160 pgs. Illustrated. First Edition/First Printing. DJ has shelf-wear present to the DJ extremities (small paint stain present to the front panel of the DJ). Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Richard Kern is a post-modernist punk photographer who has worked in New York city rock music and “No Wave” art circles since the 1970s. In Looker, through a series of carefully constructed vignettes, Kern's models proceed through their daily private lives, seemingly unaware of the camera. Or are they wittingly playing into the obvious cinematic intrigue? The balance of control present in each frame is a powerful and sensual statement. Looker is thought-provoking in its gentle nature, pastoral tones, and caring reflection of private innocence—but it is also freshly and stunningly erotic, silently exuberant in its portrayal of intimacy and abandon. Richard Kern's photographs are a peek into a world of mystery and eroticism. EB; 8.5 X 0.75 X 11 inches; 160 pages.
