In 1918 Marcel Duchamp stopped painting and spent much of the next 50 years exploring alternatives to traditional artistic practices. This book shows how appropriation and replication were central to his art, examining the significance of the many replicas Duchamp produced or authorized.
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In 1918 Marcel Duchamp stopped painting and spent much of the next 50 years exploring alternatives to traditional artistic practices. This book shows how appropriation and replication were central to his art, examining the significance of the many replicas Duchamp produced or authorized.
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Seller's Description:
Fair in fair dust jacket. Ex-library. Ex-library with stamps & stickers. Repaired binding. Textblock slightly warped. Slight wrinkling on some pages, with faint stain visible on a few pages. Cloth over boards. 331 p. Contains: Illustrations. Audience: General/trade.
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Seller's Description:
Near Fine in Near Fine dust jacket. 0810963345. A look at the acclaimed artist's work, near fine in near fine jacket; a tight square unmarked copy in unclipped dust jacket; a clean bright first printing; 331 pages.
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Seller's Description:
Near Fine Plus in Near Fine Plus jacket. 4to-over 9¾"-12" tall. Hardcover in dust jacket. orange cloth., only the slightest signs of handling-negligible impact. clean, no writing or markings, strong binding/hinges, a well preserved copy.; english text.; 331pp., 440 illustrations, including 200 color plates., detailed, comprehensive examination of marcel duchamp's use of reproduction, facsimile, copies, and the like.