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Seller's Description:
Very Good in Very Good jacket. Size: 11x9x1; The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some light handling, a 1" closed tear on the top edge of the back panel, in a mylar cover. 4to. 635pp.
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Seller's Description:
Very Good. Size: 11x9x1; The Metropolitan Museum of Art (Harry N. Abrams); New York, 1988. Hardcover. Text in English, some in French. A Very Good, blue cloth binding with gilt lettering on spine, binding sturdy and intact, mild spine lean, bit of sunning to page margins, small dent bottom rear board fore-edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, sunned panel/flap margins and verso, price sticker bottom rear flap, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 635pp., list of exhibitions, bibliography, index of name, list of plates, list of lenders, list of works exhibited in New York, photograph credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.
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Seller's Description:
Near Fine in Near Fine dust jacket. 0810909219. Exhibition catalog. 1, 193 illustrations, including 141 in color. First edition. Previous owner's book-plate on front paste-down, else near fine in a near fine dust jacket.
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Seller's Description:
Very Good. 1988. Hardcover. Cloth, dj. Minor edge wear to dj; approx. 1-inch tear along bottom edge of front panel near spine. Light sunning to dj spine and edges of rear dj panel. Minor shelf wear to boards. Else a bright, clean copy. Very Good. (Subject: Renaissance Art).
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Seller's Description:
New. 0810909219. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--635 pages. --with a bonus offer--
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Seller's Description:
VG/Good, minor tears to dustjkacket. Bright blue cloth, gold lettering, illus. dj; 635 pp.; 141 color illustrations and over 1000 bw illustrations. Published in conjunction with the exhibitions at Galeries Nationales du Grand Palais, Paris and The Metropolitan Museum of Art, New York, 1988. A weighty tome! "If the art of Jean-Honore Fragonard (1732-1806) consisted entirely of coy bedroom scenes, chubby cupids, slick sensual allegories and sentimental portraits of bearded old men, one could easily dismiss the French rococo painter as passe. But the exhibition now at the Metropolitan Museum of Art, and this catalogue, give us Fragonard the moody outsider from Provence, the nature poet who liberated painting with his spontaneous brushwork. Rosenberg, chief curator at the Louvre, where the exhibit made its debut, helps us to appreciate the keen observation of the Italian drawings, the naturalism of the landscapes and animal studies. In the wild poetry of Wagon in the Mud or the totally unforced intimacy of The Kiss, Fragonard tapped depths of feeling rarely glimpsed in his historical or genre paintings. The overwritten text, full of superlatives, is complemented by 1300 illustrations, making this the fullest account to date of Fragonard's opus." (Publishers Weekly).