Anyone alive in Florence on August 19, 1418, would have understood the significance of the competition announced that day concerning the city's magnificent new cathedral, Santa Maria del Fiore, already under construction for more than a century. "Whoever desires to make any model or design for the vaulting of the main Dome...shall do so before the end of the month of September." The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design ...
Read More
Anyone alive in Florence on August 19, 1418, would have understood the significance of the competition announced that day concerning the city's magnificent new cathedral, Santa Maria del Fiore, already under construction for more than a century. "Whoever desires to make any model or design for the vaulting of the main Dome...shall do so before the end of the month of September." The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design eschewed (shunned) the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clock maker named Filippo Brunelleschi, then 41, who would dedicate the next 28 years to solving the puzzles of the dome's construction. In the process, he did nothing less than reinvent the field of architecture. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes (some among the most renowned machines of the Renaissance) to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and personal obstacles that at times threatened to overwhelm him. This drama was played out amidst plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence--events Ross King weaves into the story to great effect, from Brunelleschi's bitter, ongoing rivalry with the sculptor Lorenzo Ghiberti to the near capture of Florence by the Duke of Milan. King also offers a wealth of fascinating detail that opens windows onto fifteenth-century life: the celebrated traditions of the brickmaker's art, the daily routine of the artisans laboring hundreds of feet above the ground as the dome grew ever higher, the problems of transportation, the power of the guilds. Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. In telling the story of the greatest engineering puzzle of the Renaissance and one of the world's architectural marvels, Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. Creases on Cover and/or Spine. Worn Corners and/or Page Edges (Possibly Bent). Soiled Cover and/or Pages. Possible worn and/or torn edges of Dust Jacket. Reading Copy. May have damage to cover, notes, underlining, highlighting, but all text legible. Cover Seperating from Binding. Purchasing this item from Goodwill provides vocational opportunities for individuals with barriers to employment.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Hardcover This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine in fine dust jacket. Sewn binding. Cloth over boards. With dust jacket. 194 p. Contains: Illustrations. Audience: General/trade. Book and dust jacket have no markings or tears. Pages are clean, binding is tight and spine is straight. Not an ex-library book.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Near Fine in Near Fine dust jacket. 22.5 x 16 cm. Octavo. 194pp. Brown boards in dust jacket. Signed and inscribed by the author on the title page: "To Dan with best wishes from Ross / March 2001". Bottom edge of boards faded.