"Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family's 'unnecessary appendage.' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, 'the three witches,' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. In this breathtaking portrait of a ...
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"Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family's 'unnecessary appendage.' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, 'the three witches,' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. In this breathtaking portrait of a reclusive woman's late-life crisis, readers follow Aaliya's digressive mind as it ricochets across visions of past and present Beirut. Colorful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya's own volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left"
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Seller's Description:
The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
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Good. Hardcover This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.
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Like New in Like New jacket. First Edition, First Printing. Not price-clipped ($25.00 price intact). Published by Grove Press, 2013. Octavo. Red cloth over red boards stamped in black. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 291 pages. ISBN: 9780802122148. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
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Near Fine in Near Fine dust jacket. 0802122140. Inscribed (not personalized) by author on title page.; 6 X 1 X 8.5 inches; 320 pages; Signed by Author.
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Fine in fine dust jacket. Signed by author. Signed by Author Rabih Alameddine on the Title page. Sewn binding. Cloth over boards. With dust jacket. 291 p. Audience: General/trade. Fine, as New, in a Fine, as New, dust jacket; a tight, unread copy in Pristine condition. First Edition-First Printing with a full number line ending with a 1. Signed and lined on the Title page, by Author Rabih Alameddine. "An Unnecessary Woman" is a portrait of an isolated woman with a dazzling mind as she comes to grips with getting old. She is a shut-in in Beirut, exploring how she deals with her changing life. This novel was nominated for the National Book Award for Fiction; and won the 2014 California Book Award for Fiction and won the 2015 Arab American Book Award for Fiction. Rest assured, this collectible copy is well protected in an archival Mylar cover; and will be very carefully packaged with protective material; and will be shipped in a new box. We always treat all of our books, and book buyers with the utmost respect.
Set in Beirut, Rabin Alameddine's novel "An Unnecessary Woman" (2013) consists of the reflections of a solitary, highly literate Lebanese woman in her early 70's. Aaliya Saleh, 72, has lived alone for over 50 years in a modest apartment during a brief, loveless marriage which ended in her early 20's and then after the divorce. For most of her life, she has managed a bookstore and over the years has read omnivorously. She has, in fact, stolen books from her employer throughout her tenure. Aaliya is a translator. Every year, she selects an important book to translate into Arabic. Aaliya is fluent in French and English as well as Arabic, but she choses to translate books originally in another language, typically Russian or German, and read them in English and French sources. Her translations are piled away in boxes and no one has seen them. Aaliya lives a seemingly quiet life, without lovers or friends, with the exception of a slightly older woman, Helen, who has died some years earlier.
Aaliya tells her story in the first person in what soon becomes an inimitable voice. She describes her childhood, including the death of her father when she was 2, her unfortunate marriage, a short sexual encounter, and her feelings about getting old. She describes her acquaintances and family in sharp, frequently uncomplimentary terms. Aaliya also describes Beirut, the city where she has spent her entire life, and which she knows thoroughly. She had lived through the Lebanese Civil War and offers graphic descriptions of that combat. But most of all, Aaliya describes her interior life -- the life of the mind filled over the years with novels, poetry, philosophy, and music together with her ongoing and private translation project.
Aaliya is highly allusive in matters of reading and listening. As she speaks, she enters into what she admits are "digressions" in which she moves from a depiction of the people and events around her to literature. She describes or mentions a welter of books from the Ancient Greeks to the present and shows a deep engagement with her reading. When Aaliya speaks in her own voice without a specific literary allusion, her descriptions tend to be sharp, punchy, sometimes ironic, and on-point. Frequently, she makes literary allusions in her speech which are not tied to their source but which readers may recognize. When she brings literature or music into her speech, her references sometimes have the feel of pedantry or name-dropping. She can be a bore. At other times, the allusions are highly effective.
Aaliya also engages in extended reflections on literature for its own sake. Her discussions are almost always provocative and thoughtful. They range from the nature of the translation process, to writers she admires, such as Sebald, or Pessoa, to writers she dislikes, such as Hemingway and most American authors, whom she finds shallow and unintellectual. She is a great admirer of the philosopher Spinoza who "developed the concepts of religious freedom, freedom of the press, democratic republicanism, and a secular morality detached from theology." Aaliya has penetrating things to say about the tendencies of contemporary writers and readers to over-develop motivations for the actions of their characters. She discusses the over-use of the Holocaust in literature and offers observations on how to separate felt, good writing on the subject from the trite.
The life of the mind comes through in this book in a way that might mean most to those readers who have shared in it. But the life comes at a cost. Readers will understand Aaliya differently. With all her reading and literary projects, she is a lonely person. She makes a great deal of her solitude, of being without a sexual companion or, with the exception of the deceased Helen, a friend. It shows. Her life as a loner has given her a sharply judgmental critical tongue towards her fellows. She lacks a feeling of connectedness to other people and can be seen as withdrawing into books. It is a loss, in my view, not to have a committed sexual relationship, to have but a single friend, and to elevate literature to a totem -- or religion. Loners and outsiders frequently get romanticized in literature and in people's perceptions of them. The author. Almeddine, has got inside of his character, and he knows her well.
"An Unnecessary Woman" is a beautifully done depiction of an individual person. I loved much of the writing and much of the Aaliya's discussions of literature, philosophy, and music. There is much in the book, and much that remains outside.