Shows how film, literature, photography, and television news broadcasts construct myths about race, gender, sexuality, and nation and reinforce socialized ways of looking at these identities, and examines how some creative works and public reactions challenge these myths. In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political ...
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Shows how film, literature, photography, and television news broadcasts construct myths about race, gender, sexuality, and nation and reinforce socialized ways of looking at these identities, and examines how some creative works and public reactions challenge these myths. In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties. Reid explains how artists such as filmmakers Julie Dash, Spike Lee, and Marlon Riggs, photographers Rotimi Fani-Kayode and Gordon Parks, novelists John A. Williams and Ayi Kwei Armah, playwright Adrienne Kennedy, and poet Bob Kaufman portray the fears of people in the grips of social and psychological change. In each chapter, he explores how an important social issue-black feminism, interracial intimacy, biracial and homosexual identity, and black erotica, for example-is presented in film, literature, and photography. Throughout the book Reid's analysis is driven by a postNegritude understanding of race and cultural identity as a socially acquired and unfixed process rather than a biological fact. By showing how visual and literary artists challenge hegemonies of power through the creative imagination, he challenges monolithic and fixed notions of race, ethnicity, sexuality, gender, religion, and cultural identity.
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Add this copy of Postnegritude Visual and Literary Culture to cart. $82.67, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 1997 by State University of New York Press.
Add this copy of Postnegritude Visual and Literary Culture to cart. $84.47, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 1997 by State University of New York Press.
Add this copy of Postnegritude Visual and Literary Culture (Suny Series, to cart. $16.49, very good condition, Sold by Firefly Bookstore rated 5.0 out of 5 stars, ships from Kutztown, PA, UNITED STATES, published 1997 by State Univ of New York Pr.
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Used Very Good. Pages clean, binding intact, cover has light wear. Spine is undamaged, no creasing or warping. Firefly Bookstore sells items online and in our store front. We try to add images and descriptions when we can, but if you need additional information or photos of the books we list, please contact us.
Add this copy of Postnegritude Visual and Literary Culture (Suny Series, to cart. $24.00, good condition, Sold by 3rd St. Books rated 4.0 out of 5 stars, ships from Lees Summit, MO, UNITED STATES, published 1997 by SUNY Press.
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Good. No Jacket. Good, clean, tight condition with usual EX-LIBRARY features. Text HAS about 5 pages of light pencil marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Add this copy of Postnegritude Visual and Literary Culture (Suny Series, to cart. $70.70, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1997 by State Univ of New York Pr.