Liberty and the News is Walter Lippman's classic account of how the press threatens democracy whenever it has an agenda other than the free flow of ideas. Arguing that there is a necessary connection between liberty and truth, Lippman excoriates the press, claiming that it exists primarily for its own purposes and agendas and only incidentally to promote the honest interplay of facts and ideas. In response, Lippman sought to imagine a better way of cultivating the news. A brilliant essay on a persistent problem of American ...
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Liberty and the News is Walter Lippman's classic account of how the press threatens democracy whenever it has an agenda other than the free flow of ideas. Arguing that there is a necessary connection between liberty and truth, Lippman excoriates the press, claiming that it exists primarily for its own purposes and agendas and only incidentally to promote the honest interplay of facts and ideas. In response, Lippman sought to imagine a better way of cultivating the news. A brilliant essay on a persistent problem of American democracy, Liberty and the News is still powerfully relevant despite the development of countless news sources unimagined when Lippman first published it in 1920. The problems he identifies--the self-importance of the press, the corrosion of rumors and innuendo, and the spinning of the news by political powers--are still with us, and they still threaten liberty. By focusing on the direct and necessary connection between liberty and truth, Lippmann's work helps to clarify one of the most pressing predicaments of American democracy today.
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Add this copy of Liberty and the News to cart. $11.32, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2008 by Princeton University Press.
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Good. Trade paperback (US). Glued binding. 120 p. Contains: Illustrations, black & white. James Madison Library in American Politics, 4. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Fine. Trade paperback (US). Glued binding. 120 p. Contains: Illustrations, black & white. James Madison Library in American Politics, 4. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Walter Lippmann (1889-1974), nearly 35 years dead, towers over American journalism just as the Washington Monument towers over the National Mall. His influence stretches, like a shadow, from near the dawn of the 20th century to its end and beyond.
Lippmann surely never saw a personal computer and probably never dreamed of the Internet. Nevertheless, his thought shapes much of the content that professional journalists post on the World Wide Web. High-minded amateurs who set up blogs in revolt against 'mainstream' journalism, many of whom probably never heard of Walter Lippmann or are but vaguely aware that there once was such a person, labor under the influence of Lippmann. Their work, their ideals, their ideas in part are shaped by him if they know it or if they don't. In sum, it is impossible to overstate Lippmann's influence on American journalism and it is good when something happens that recalls journalism's attention to the life and to the thought of Walter Lippmann.
The latest such thing is a reprint of Lippmann's first book, Liberty and the News (Princeton, New Jersey: Princeton University Press, 2008; 118 pp; $16.95) is an eloquent, closely reasoned, highly readable and important work of criticism by the foremost scholar of 20th-century journalism. The boldness and vitality of Lippmann's original work are not diminished and are in fact amplified for being juxtaposed with Sidney Blumenthal's politically charged but intellectually flaccid Afterword.
