This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his ...
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This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Seller's Description:
Very Good. Size: 0x0x0; Second Printing. Hardcover and dust jacket. Tears to jacket with loss. Good binding and cover. Shelf wear. Foxing to top edge. English writer, Thomas De Quincey (1785-1859) wrote prolifically and in numerous fields, ranging from fiction to biography to economics, and often crossing genre boundaries in unclassifiable works that mixed exposition of others' ideas with autobiography and personal reflections. He remains best known, however, for a single work: Confessions of an English Opium Eater (1821). That work, too, was difficult to classify, it mixed autobiographical elements with description and evaluation of the effects of the addictive, analgesic, and psychoactive drug named in its title.
