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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very Good in Very Good jacket. Size: 9x0x10; Bollingen Series XXXV: 43. First Printing with full number line. Binding is tight, sturdy, and square; light wear to edges of gray cloth boards, silver foil titling remains bright and bold; faint toning to edges of pages; photos, illustrations and text very good. Minor wear to edges of unclipped dust jacket; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges will apply for international and/or expedited shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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New. 069104497X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, PRISTINE-264 pages. Book Description: "Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market..."--with a bonus offer--
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Seller's Description:
VG/VG. Black cloth with silver lettering; color-pictorial dj; 264 pp. with 226 illustrations in color and bw; . Part of the A.W. Mellon Lectures in the Fine Arts, 1994; Bollingen Series XXXV: 43. Brown tells in vivid detail the story of the rise of master paintings to the exalted status of commanding the highest prices of any luxury commodity. This book is an essay in both cultural and art history and discusses why the old master paintings have virtually disappeared from the art market.
