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Seller's Description:
Fair. Book has internal/external wear and/or highlighting and underlining. It may have creases on the cover and some folded pages. This is a USED book. Codes have been used. This is a USED book, it is subject to external and interior wear including, underlining, highlighting, annotations, water damage, minor scuffs and tears. This is a donated book accepted as is. Stickers and sticker residue on the cover should be expected, as well as spine wear from use. There are NO codes or disc(s) included. All items ship Monday-Friday within 2-3 business days. Thank you for supporting Goodwill of OC.
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Seller's Description:
Hardcover edition, as pictured. Some cover wear/highlighting. Sewn binding. Cloth over boards. 256 p. Contains: Illustrations. Princeton 19th Century Art, Culture, and Society, 2. Audience: General/trade.
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Seller's Description:
Fine in Fine jacket. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. 162 black & white illustrations. 10" high X 8" wide, 234 pages. This book will be securely packed and shipped with tracking.
Art and the French Commune: Imagining Paris After War and Revolution (Princeton Series in Nineteenth-Century Art, Culture, and Society Ser. ) (Art History French)
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Seller's Description:
New. 0691029628. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED--234 pp. "In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"-the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"-the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. " From bamm. --with a bonus offer--; 4to-over 9¾"-12" tall.
