"Like beauty, madness altered perception, but instead of offering illusion, it offered delusion. Moranna leaned the tricks madness played on perception the hard way as experience showed her how persuasively madness distorted reality. Experience also showed her that if she hung on long enough, the panic would subside and the delusions would pass. There were many dawns on the ferry when the sight of the ugly smoke stacks reassured her. They were proof that once again she had won the showdown with the voice and had delivered ...
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"Like beauty, madness altered perception, but instead of offering illusion, it offered delusion. Moranna leaned the tricks madness played on perception the hard way as experience showed her how persuasively madness distorted reality. Experience also showed her that if she hung on long enough, the panic would subside and the delusions would pass. There were many dawns on the ferry when the sight of the ugly smoke stacks reassured her. They were proof that once again she had won the showdown with the voice and had delivered herself to the dawn, wholly alive." (p. 286) Joan Clark's An Audience of Chairs opens with Moranna MacKenzie living alone in her ancestral Cape Breton farmhouse, waging a war with the symptoms of bipolar disorder and grieving the loss of her two daughters, taken from her over thirty years previously. There are few people remaining in her life, as Moranna cannot help but tax the patience of nearly everyone she encounters. Her long-suffering brother Murdoch has her best interests at heart, though he is fatigued by her enormous needs and pressured by his ambitious wife to invest less time in her. Pastor Andy politely sloughs off the peculiarly intelligent yet unpalatable sermons Moranna pens for him. Her neighbour Lottie knows what it is to be an eccentric and can be counted on to come through in a pinch. The local RCMP constabulary smooths over her legal scrapes. And her lover Bun, who lives with her when not working on the ferries between Cape Breton and Newfoundland, knows how to give her a wide berth on her "foul weather" days. Thanks to the assistance of these sometimes reluctant guardian angels, as well as to the carefully planned inheritance left by her father(not to mention her own sheer ingenuity), Moranna has managed to get by all these years despite small-town gossips and tormenting youths. Through a series of flashbacks, we learn more about the devastating effects of Moranna's mental illness on her life and that of her family. But An Audience of Chairs also gives us a glimpse into the mind of a true iconoclast and wild spirit, who has managed despite overwhelming odds to keep hope alive. In her early years, Moranna's accomplishments and beauty, along with the protection of a father who saw glimmers of his suicidal wife in his beloved daughter, allow her to struggle through childhood and adolescence in Sydney Mines relatively unscathed. She is a gifted pianist, a magazine covergirl, and a promising actress when she makes a brilliant marriage to an up-and-coming young journalist, Duncan. But she soon finds herself unmoored by motherhood, and the oddities that the people in her life have always chosen to overlook become more difficult to disguise with drama and wit when maternal expectations are placed upon her. Her staged life comes crashing down around her ears when she is left alone with her daughters and in a manic artistic phase risks their lives terribly. Her family can no longer explain away her eccentricities, her husband forsakes her, and she is institutionalized, her children taken from her forever. No longer playing the roles of perfect daughter, wife and mother, the devastated Moranna falteringly gropes for purpose in her life. She returns to the inherited Baddeck farmhouse and, inspired by a vision she has of her great-aunt Hettie, whose stories of their Scottish ancestors once filled the youthful Moranna'simagination with stories of valour, earns a small income as a woodcarver. She carves for tourist sales the courageous and larger-than-life people of her clan, to whose histories she clings in order to reinforce her belief in her pedigree as a lionheart, so much more comforting than the spectre of madness lurking in her maternal lineage. She enthralls the audiences in her mind - in reality an audience of chairs - with daily virtuoso performances on the piano board, a silent keyboard upon which she does battle with her demons through the music of Chopin and Rachmaninov.
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Seller's Description:
Fine in Near Fine jacket. Size: 8x1x5; We're happy to combine shipping to save you some money. We're also always buying collectible book collections. Contact us for details. We're happy to provide pictures of any and all books for you, please just ask! Canadian first edition, first printing. Contains number line 1 2 3 4 5 6 7 8 9 10. Virtually no wear to jacket. Jacket is in a Mylar cover. Jacket is NOT price clipped. Covers are clean and bright. Edges are sharp. No tears or creases. The book itself is in Near Fine condition. The binding is straight and tight. NO remainder mark.
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Near Fine in Near Fine dust jacket. 0676976557. A Good Read ships from Toronto and Niagara Falls, NY-customers outside of North America please allow two to three weeks for delivery.; Minor bump at bottom edge of front board and d/j. First impression.; 8vo-over 7¾"-9¾" tall.
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Fine in Fine/price Clipped jacket. Signed by Author(s) Fine in Fine/price clipped jacket 8vo-over 7¾"-9¾" tall. Signed by Author pp.350. The story of a woman who lives alone in a Cape Breton farmhouse, fighting the ups and downs of mental illness and still grieving the loss of her two daughters who were taken from her over 30 years previously. clean tight copy price clipped slight edgewear to top and bottom d/j.