Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Size: 17 to 19 cm tall (12mo); Posted within 1 working day. 1st class tracked post to the UK, Airmail tracked worldwide. Robust recyclable packaging.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Used, some outer edges have minor scuffs, cover has light scratches and marks, some outer pages have gone Brown, book content is in very good condition. 576 p.
Historical fiction at the finest. A carefully researched and reconstructed portrait of Aaron Burr. If you are interested in the character and history of this time in early America this is an excellent place to start,
elizabeth w
Dec 23, 2011
Gore Vidal
Wonderful book! Excellent research and beautifully written. A real treat.
Constantius
Aug 27, 2009
Like you're actually there
Gore Vidal places less of himself beween the reader and the world he creates than any other novelist I can think of except Patrick O'Brian. Especially in the scenes of New York City in the 1830s, reading this is less like "reading a Gore Vidal novel" and more like stepping into a time machine and completely departing from everything in the present - including Vidal. It's like you're actually there.
MickyP
Jan 21, 2008
All one would expect from Vidal
Gore Vidal?s take on the polemic character, Colonel Aaron Burr, provides everything one would expect from Vidal. Insight, cutting commentary and an entertaining spin on historical events. Reading this novel is like watching Muhammad Ali box; Vidal floats like a butterfly through dinner parties, the American Revolution, Constitutional debates and trans-American rail trips. The reader is, accordingly, given a panorama of the embryonic stages of the US. Interspersed amongst these beautiful flutterings are powerful stings whereby, in the matter of one page, Vidal uses the written word as a weapon striking a decisive blow against the hypocrisy of Jefferson and Hamilton. The rogue, Burr, emerges from this novel as the one truly noble figure of the Old Republic. The Vidalesque poetic license of the closing remark forces one to go back over the story in a manner only Vidal can compel.