Published to coincide with Rostropovich's 80th birthday celebrations Mstislav Rostropovich, internationally recognised as one of the world's finest cellists and musicians, has always maintained that teaching is an important responsibility for great artists. Before his emigration in 1974 from Russia to the West, Rostropovich taught several generations of the brightest Russian talents - as Professor of the Moscow Conservatoire - over a continuous period of two decades. His students included such artists as Jacqueline du Pre, ...
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Published to coincide with Rostropovich's 80th birthday celebrations Mstislav Rostropovich, internationally recognised as one of the world's finest cellists and musicians, has always maintained that teaching is an important responsibility for great artists. Before his emigration in 1974 from Russia to the West, Rostropovich taught several generations of the brightest Russian talents - as Professor of the Moscow Conservatoire - over a continuous period of two decades. His students included such artists as Jacqueline du Pre, Nataliyia Gutman, Karine Georgian, Ivan Monighetti and many others Rostropovich's teaching represented not only his individual approach to cello repertoire and instrumental technique, but also comprised a philosophy of life. As soon as he returned from his frequent concert tours, he would launch himself with whirlwind energy into his teaching activities. His lessons, which were conducted as open masterclasses, were awaited eagerly as an event of huge importance. Class 19 of the Moscow Conservatoire, where they were held, was usually packed with students (violinists, conductors and pianists as well as cellists). Often other professors dropped in, as did visiting musicians. The lessons were performances in themselves: Rostropovich - usually seated at the piano - cajoled and inspired his students to give the best of themselves. His comments went far beyond correcting the students in making them understand the essence of the work they were playing. Often this was done through striking imagery, and as such the lessons were addressed to the wider audience present in the classroom as well as to the individual student. Drawing from her own vivid reminiscences and those of ex-students, documents from the Moscow Conservatoire and extensive interviews with Rostropovich himself, Elizabeth Wilson's book sets out to define his teaching, and to recapture the atmosphere of the conservatoire and Moscow's musical life.
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Add this copy of Mstislav Rostropovich to cart. $45.99, good condition, Sold by Vive Liber Books rated 5.0 out of 5 stars, ships from Somers, CT, UNITED STATES, published 2007 by Faber & Faber.
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Seller's Description:
Good. Pages are clean with normal wear. May have limited markings & or highlighting within pages & or cover. May have some wear & creases on the cover. The spine may also have minor wear. May not include CD DVD access code or any other supplemental materials.
Add this copy of Mstislav Rostropovich: Cellist, Teacher, Legend to cart. $46.98, very good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2007 by Faber & Faber.
Add this copy of Mstislav Rostropovich: Cellist, Teacher, Legend to cart. $87.91, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by Faber & Faber.
Add this copy of Mstislav Rostropovich: Cellist, Teacher, Legend to cart. $47.00, like new condition, Sold by Sutton Books rated 3.0 out of 5 stars, ships from Norwich, VT, UNITED STATES, published 2007 by Faber and Faber, 2007.
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Fine in fine dust jacket. Hbk, 382pp, illustr b+w photos, one or two page corners turned over, otherwise an excellent clean tight unmarked copy in fine, unclipped and sleeve-protected dj.