Ink plum (momei) has been one of the most admired and widely practised genres of ink painting in China, Japan and Korea throughout the last six hundred years. In this study, the first full account of momei, Maggie Bickford provides a comprehensive account of genre-formation in Chinese painting. Fully interdisciplinary in approach, it demonstrates how art-historical, literary, cultural, and political situations, groups and individuals, catalysed one another to produce the birth of a new painting genre and its codification. ...
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Ink plum (momei) has been one of the most admired and widely practised genres of ink painting in China, Japan and Korea throughout the last six hundred years. In this study, the first full account of momei, Maggie Bickford provides a comprehensive account of genre-formation in Chinese painting. Fully interdisciplinary in approach, it demonstrates how art-historical, literary, cultural, and political situations, groups and individuals, catalysed one another to produce the birth of a new painting genre and its codification. Moreover, Ink Plum: The Making of a Chinese Scholar-Painting Genre examines critically the transformation of the alternative-art of the Song scholar-elite into the self-proclaimed orthodoxy of later Chinese painting.
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Seller's Description:
Good+; Hardcover, Missing Jacket; Withdrawn library copy with the standard library markings; Light wear to the covers; Library stamps to the endpapers; Text pages are clean & unmarked; Binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75"-11.75" tall); Tan cloth covers with title in dark blue letttering along the spine; 1996, Cambridge University Press; 366 pages; "Ink Plum: The Making of a Chinese Scholar-Painting Genre, " by Maggie Bickford.
