In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel and two of his plays: The Garden Party and The Memorandum. These playwrights portray language's power within our political, social and interpersonal worlds. The violence that language does, the 'tyranny of words', grabs centre stage in their plays. Characters are manipulated and ...
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In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel and two of his plays: The Garden Party and The Memorandum. These playwrights portray language's power within our political, social and interpersonal worlds. The violence that language does, the 'tyranny of words', grabs centre stage in their plays. Characters are manipulated and defined through language, their actions and identity limited by verbal options, in order to reveal the links between language and power. The book will be of interest to students and scholars of drama, theatre history, American and European literature, and comparative literature.
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Seller's Description:
Very Good. Size: 5x0x9; Hardcover with dust jacket. Pages are clean and unmarked. Dust jacket shows light edge wear. Binding is tight, hinges strong. APPEARS UNREAD. ALMOST LIKE NEW.; 100% Satisfaction Guaranteed! Ships same or next business day!
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Seller's Description:
Near Fine in Near Fine jacket. "In this book, Jeanette Malkin considers a broad spectrum of contemporary plays in which characters are created, coerced, and destroyed by language. The playwrights examined are diverse and include Handke, Pinter, Bond, Albee, Mamet, and Shepard, as well as Vaclav Havel, who is represented by two plays " (Publisher)
