This study, first published in 1986, is an examination of the many facets of Mallarm�s relationship to the visual arts. Dr Florence proceeds by analysing Mallarm�s writing on painting and literature, and its bearing on specific paintings, lithographs, and poems. These analyses reveal and define important common structures and innovatory developments, the coherence of which is masked by conventional histories of art. A new relationship is revealed between the word and the image, which has significant implications for an ...
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This study, first published in 1986, is an examination of the many facets of Mallarm�s relationship to the visual arts. Dr Florence proceeds by analysing Mallarm�s writing on painting and literature, and its bearing on specific paintings, lithographs, and poems. These analyses reveal and define important common structures and innovatory developments, the coherence of which is masked by conventional histories of art. A new relationship is revealed between the word and the image, which has significant implications for an understanding of the self and the world in these texts. The book is particularly original in two respects: first, it shows how developments in verbal and visual innovation are interdependent in Mallarm�s work; second, it integrates hitherto discrete traditions of the avant-garde in painting to present a new perspective on the history of modernism.
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Seller's Description:
New. Trade paperback (US). 188 p. Cambridge Studies in French . Worked examples or Exercises. Intended for professional and scholarly audience. Intended for college/higher education audience.
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Seller's Description:
New. Trade paperback (US). Contains: Unspecified. Cambridge Studies in French . Includes unspecified. Intended for professional and scholarly audience.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Contains: Unspecified. Cambridge Studies in French . Includes unspecified. Intended for professional and scholarly audience.