Publisher:
Univ. of California Press; Berkeley Art Museum and Pacific Film Archive
Published:
2004
Language:
English
Alibris ID:
17194318814
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Seller's Description:
Good. No jacket. Jacket is rubbed and lightly worn along edges. Bottom edges of cover are lightly worn. Small chip at midpoint of bottom edge of back cover with cardboard exposed. Binding is tight. Pages are yellowed around edges, but text and images are bright and unmarked.
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Seller's Description:
Very Good in Very Good jacket. Size: 8x1x10; Minor shelf wear to binding & edges of text block. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover. PRIORITY SHIPPING PROVIDED IN THE USA FOR THE PRICE OF MEDIA MAIL SHIPPING.
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Seller's Description:
New. 0520240294. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--208 pp. With 155 ills. (58 col. ). 28 x 23 cm. Description: "Reviewing the accomplishments of a San Francisco-based architecture collective whose visionary oeuvre encompassed video, performance and installation art as well as radical architectural projects, this catalogue includes three critical essays, an extensive illustrated chronology of Ant Farm's activities over the course of its existence from 1968 to 1978, a recent interview with group members Chip Lord, Doug Michels and Curtis Schreier, and pictorial documentation of many of the collective's works, which range from inflatable structures and experimental mobile environments to an installation composed of ten Cadillacs buried nose down on a ranch in Texas. "--with a bonus offer--
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!