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Seller's Description:
Very Good. Size: 9x1x10; 2000 (first) paperback printing. Spine is uncreased, binding tight and sturdy; text, photos, illustrations also very good; minor wear to edges of wraps. Due to the size/weight of this book extra charges will apply for international and/or expedited shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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Seller's Description:
Very Good. Size: 10x9x1; Amsterdam University Press; Amsterdam, 1997. Hardcover. Book is large and heavy, additional shipping cost may apply. A Very Good, black cloth binding with gilt lettering on front board and spine, binding sturdy and intact, some handling marks/shelf wear, bumped bottom spine edge, bit of scattered foxing to text block edges, trace age toning to text block edges and pages, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, small creases bottom spine edge, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 340pp., notes, bibliography, glossary, indexed, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.
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Seller's Description:
VG-(A few scratches to wraps, primarily at the spine, and retail stickers on the back) Black illus. wraps; 340 pp.; 331 color and duotone figures. "Rembrandt's intriguing painting technique has stirred the imagination of art lovers during his lifetime and ever since. In this book, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unravelled in depth. At the same time, this 'archaeology' of Rembrandt's paintings yields information on many other levels. In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book, offers a s view of Rembrandt's daily practive and artistic considerations, while simlutaneously providing a mode three-dimensional image of the histiorial artist in general." (back cover).
