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Seller's Description:
Very good. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Binding is tight and structurally sound. Clean interior pages. Smudging across covers of dust jacket but is sealed in protective mylar. Secure packaging for safe delivery.
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Seller's Description:
Dust jacket in good condition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards and dust jacket show signs of shelf wear. All pages are intact, binding is sound. Secure packaging for safe delivery.
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Seller's Description:
New. 0520214293. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--178 pp. With 115 ills. (43 col. ). 27 x 27 cm. --with a bonus offer--; 0.91 x 10.71 x 10.68 Inches.
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Seller's Description:
Good in Good jacket. 1st Printing. 4to-over 9¾-12" tall. pp. 168. Minor edge and corner wear to the dj; lightly scuffed and scratched; corners are lightly bumped and rubbed; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Red boards quarterbound by black with gilt lettering on the spine. 168 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "This catalog is the first book-length publication devoted to the exquisite story quilts of contemporary artist Faith Ringgold. Combining painted images, handwritten texts, and quilting techniques, Ringgold weaves together modernist painting; feminist critique; postmodernist strategies of appropriation, parody, and montage; and personal memoir in a remarkable synthesis that takes on European modernism, African American folk art, and the "black aesthetic" of the 1960s and 1970s. The catalog accompanies an exhibition of The French Collection and The American Collection, a series of story quilts Ringgold has produced since 1990. Catalog essays include an examination of Ringgold's stylistic development through the 1960s and 1970s, an exploration of the social and political aspects of the story quilts, and a recollection by the artist's daughter, writer Michele Wallace. Ringgold has adapted the tradition of the American slave quilt to create a world in which African Americans and women dominate, where history is not only questioned but also reinvented. The titles of the quilts in Ringgold's French Collection and American Collection suggest her subject range and daring: Jo Baker's Birthday Party; Dinner at Gertrude Stein's; A Portrait of Aunt Jemima; Tubman, Douglass, and Truth: Wanted Dead or Alive are examples. Faith Ringgold's broad audience of admirers (her books for children have won Caldecott and New York Times book illustration honors) will welcome Dancing at the Louvre. Finally there is a book that displays her artistic achievements and provides a full discussion of her importance within contemporary art...."
