Mary Wigman, Germany's premier modern dancer between the two world wars, envisioned the dancer in the thrall of ecstatic and demonic forces. Transforming the performer into an abstract configuration of energy in space, her works subverted the traditional eroticization of the female dancer. Critics in her own time and historians since have hailed her as a major innovator of dance modernism. What commentators have not acknowledged until recently, however, is her collaboration with the Nazis. Under the Third Reich, Wigman ...
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Mary Wigman, Germany's premier modern dancer between the two world wars, envisioned the dancer in the thrall of ecstatic and demonic forces. Transforming the performer into an abstract configuration of energy in space, her works subverted the traditional eroticization of the female dancer. Critics in her own time and historians since have hailed her as a major innovator of dance modernism. What commentators have not acknowledged until recently, however, is her collaboration with the Nazis. Under the Third Reich, Wigman subtly transformed the choreographic themes that had brought her fame during the Weimar Republic. Reverting to more traditional images of the female dancer, her works represented the division between male and female spheres so central to fascist ideology. Her choreographic career thus challenges the prevailing view of a sharp break between Weimar and Nazi culture. Dance and cultural historian Susan Manning traces Wigman's career from Monte Verita, an artist's colony where she spent the First World War in voluntary exile, to West Berlin, where she premiered her final work just months after the building of the Berlin Wall. Manning argues that Wigman challenged the voyeurism of the male spectator while projecting an essentialized national identity, a mystical aura of Germanness. Introducing methods not usually found in dance studies, Manning spins Wigman's story into an interdisciplinary space bounded by ongoing dialogues on the history of the body and the sexual and national politics of artistic modernism.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 900grams, ISBN: 9780520081932.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 850grams, ISBN: 0520081935.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings With owner's name inside cover. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 850grams, ISBN: 9780520081932.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 900grams, ISBN: 9780520081932.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Like New in Like New jacket. Size: 9x6x1; A nice hardcover in a protective Mylar sleeve with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours a tracking number and delivery confirmation.
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Very Good. 0520081935. This book is in very good condition; no remainder marks. Appears to have been gently read once. Price clipped fly page. Inside pages are clean.
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Fine. Fine Dust Jacket. Size: 9x6x1; The inside is clean with no highlights or remarks. 353 pages with the index. hardcover with a dust jacket. based on your address. -We can ship from USA and Canada. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.