Intrigue abounds both on and off the stage in this rollicking mystery set within Shakespeare's theater company. Kit Glover is London's finest boy actor. Audiences flock to see him portray imperious queens and scheming noblewomen. But off the stage Kit's manner is harder to make out. Now cool and disdainful, next fierce and angry, then madcap and bawdy-his personality changes so rapidly and so often that fellow actor Richard is unsure which is the real Kit, or if his true nature is something else again. But Richard is ...
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Intrigue abounds both on and off the stage in this rollicking mystery set within Shakespeare's theater company. Kit Glover is London's finest boy actor. Audiences flock to see him portray imperious queens and scheming noblewomen. But off the stage Kit's manner is harder to make out. Now cool and disdainful, next fierce and angry, then madcap and bawdy-his personality changes so rapidly and so often that fellow actor Richard is unsure which is the real Kit, or if his true nature is something else again. But Richard is certain of one thing: Kit is involved with some nefarious companions- much like young Prince Hal in Shakespeare's latest play, Henry IV. And Richard suspects that these low companions are behind a series of crimes that could cost the company its good standing and could cost Kit his head. And so, reluctantly, Richard allows himself to be drawn into the conspiracy to help his rival-this fascinating, infuriating, troubled prince of a boy, teetering on the brink of becoming either a king . . . or a criminal. "From the Hardcover edition."
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I have only skimmed this book, I bought it for a school library overseas, but I love Jeanie Cheaney's writing in World Magazine and look forward to getting a chance to sit down with another copy of this book--I got 3 total--and reading it and the book that comes before it, "The Playmaker". Novels set in past times with historical characters in them are a painless way to get kids to imbibe some history and culture, so I am always on the lookout for true historical fiction writers. The genre has been seriously undermined by books that are total fluff but set in a past time period and so puffed off as "historical fiction", but so full of errors and modern agendas (like feminism or egalitarianism) that the 'fiction' is the only accurate part of the label! But Cheaney has done her research and stayed true to the mindset of her chosen period.
