Up Against Foucault introduces key aspects of Foucault's work to feminists, in ways which are less abstracted than much of the existing literature in this area. It includes an introduction to Foucault's terms, and fills a gap in the literature by clarifying the links between the everyday realities of women's lives and Foucault's work on sexuality and power. The contributors explore the implications of analysing power relations, sexuality or the body, without also thinking about gender and other social divisions. They bring ...
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Up Against Foucault introduces key aspects of Foucault's work to feminists, in ways which are less abstracted than much of the existing literature in this area. It includes an introduction to Foucault's terms, and fills a gap in the literature by clarifying the links between the everyday realities of women's lives and Foucault's work on sexuality and power. The contributors explore the implications of analysing power relations, sexuality or the body, without also thinking about gender and other social divisions. They bring their expertise from social theory and philosophy to bear on the same core issues; the ways in which Foucault provokes feminists into questioning their grasp of power relations, and the implications of the absence of gender in his own work. Up Against Foucault shows that in spite of his lack of interest in gender, Foucault does have much to offer feminism - proposing new ways of understanding the control of women and especially the control of sexuality and bodies. This book offers new ground in relating Foucault's challenge to feminism to feminisms challenge to Foucault. Feminists are up against Foucault because he questions the key conclusions which feminists have come to about the nature of gender relations, and men's possession of power. It is an appraisal of how seriously we need to take this challenge.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 9780415050111.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 9780415050111.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 9780415050111.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN: 9780415050111.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
Very Good. Although questions of sexuality and power were central to Foucault's writings, they largely ignore feminism; this book explores the problems that Foucault raises for feminism and the implications of including gender in analyses of power relations, sexuality, and the body; contributors include, in addition to the editor, Kate Soper, Jean Grimshaw, Maureen Cain, M.E. Bailey, Janet Ransom, Maureen McNeil, Susan Bordo, Dean MacCannell, Juliet Flower MacCannell, Janet Holland (gray & white covers with black lettering, drawing by Erich Heckel on front, corners slightly bumped; otherwise a bright, clean, tight copy)