A key work in the development of modern criticism which argues that literary criticism is essentially a branch of psychology, dealing with the states of mind induced by the experiences communicated by art. Forms the scientific basis for a school of practical criticism devoid of subjective emotionalism.
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A key work in the development of modern criticism which argues that literary criticism is essentially a branch of psychology, dealing with the states of mind induced by the experiences communicated by art. Forms the scientific basis for a school of practical criticism devoid of subjective emotionalism.
Read Less
