Of the Farm recounts Joey Robinson's visit to the farm where he grew up and where his mother now lives alone. Accompanied by his newly acquired second wife, Peggy, and an eleven-year-old stepson, Joey spends three days reassessing and evaluating the course his life has run. But for Joey and Peggy, the delicate balance of love and sex is threatened by a dangerous new awareness.
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Of the Farm recounts Joey Robinson's visit to the farm where he grew up and where his mother now lives alone. Accompanied by his newly acquired second wife, Peggy, and an eleven-year-old stepson, Joey spends three days reassessing and evaluating the course his life has run. But for Joey and Peggy, the delicate balance of love and sex is threatened by a dangerous new awareness.
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Seller's Description:
Fine book in a near fine dust jacket. 174 pages. First Edition. Updike's fourth novel. Manhattan ad executive visits the Pennsylvania farm where he grew up. Very minor fade spot to topstain, still about fine in about near fine dustjacket with slight toning to spine panel and minor wear and rubbing at spine ends.
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Seller's Description:
Like New. 1st edition 5th printing-signed with inscription by Updike on front end paper-price clipped-3/4 inch tear at top edge of front dust jacket (now in mylar cover) otherwise cover fine binding strong contents clean-enjoy.
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Seller's Description:
Fine book in a fine dust jacket. Signed by the author. 174 pages. First edition, first printing. Dust jacket art by Ilonka Karasz. His 9th adult book and his 4th novel. Signed by Updike on the first sheet. Fine book in a fine dust jacket. A beautiful copy!
Of the Farm, this early novel by John Updike, tells the story of a successful Manhattan professional who, with his second wife and her precocious son, visits his mother on the family farm, where memories and accusations ensue.
In a New York Review of Books essay, British novelist Ian McEwan praises Updike's voracious eye for detail, even in the sex scenes, which have outraged some feminists for the narrative "male gaze."
This isn't my objection so much as the author's penchant for overwriting and strained metaphors.
There's no question that Updike is often masterful at anatomizing cross-generational familial conflicts, but as perhaps might be expected in an American novel of the early Sixties, the author's rendering of female consciousness is quite traditional in his women characters' male dependence, emasculating power or supposed inferior intellect. Some of the protagonist's reveries about his wife's body as a landscape are frankly embarrassing. At one point, the protagonist looks at the scudding Pennsylvania clouds, seeing one that evokes "lawyers at loggerheads." Toward the end the novel takes a theological turn.
This reviewer has inestimable respect for Updike the critic, and as the author of the Rabbit tetralogy. His command of genres is comparable to a man of letters such as Edmund Wilson. But it may well be that his prodigious production was also something of a weakness, because some of the later novels received awful reviews.
The late novelist David Foster Wallace grouped Updike with Mailer and Roth as among the Great American Narcissists; that is, Updike's protagonists often seemed versions of the author himself. Even in the Rabbit novels, the deliberately limited perspective causes Updike to stereotype Japanese businessmen and, arguably, blacks in Rabbit, Redux. Women and ethnic novelists provide a necessary counterbalance to Updike's vision of America.