Return to the distant, glittering world of the Spanish Renaissance with forty great poems in a remarkable new translation. "Nothing is harder than to render a classic in contemporary idiom yet retain its sense of time and space .Edith Grossman delivers."Carlos Fuentes, New York Times Book Review The Spanish Renaissancea period of glory that endured from the late fifteenth century through the seventeenth centurycomes to life in its greatest poems, rendered with passionate fervor and a stylistic brilliance. Edith ...
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Return to the distant, glittering world of the Spanish Renaissance with forty great poems in a remarkable new translation. "Nothing is harder than to render a classic in contemporary idiom yet retain its sense of time and space .Edith Grossman delivers."Carlos Fuentes, New York Times Book Review The Spanish Renaissancea period of glory that endured from the late fifteenth century through the seventeenth centurycomes to life in its greatest poems, rendered with passionate fervor and a stylistic brilliance. Edith Grossman includes in this beautiful, collection-worthy volume facing-page Spanish, a historical introduction, and biographies of the poets: Jorge Manrique (not translated since Longfellow); Garcilaso de la Vega, a soldier and courtier who wrote love poetry; Fray Luis de Leon, a converso Jew; San Juan de la Cruz, whose poems are the finest exemplars of Christian mysticism; Luis de Gangora, the great sensualist; Lope de Vega, the great rival to Cervantes; Francisco de Quevado, the ultimate Baroque poet; and Sor Juana, the nun whose haunting poetry embodied the voice of Mexico. 10 illustrations.
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Fair. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION-VERY GOOD-HARDBACK-light wear and scuff marks to jacket, pages in nice condition, shipped from the UK. Text in English, Spanish. Glued binding. Paper over boards. With dust jacket. 201 p. Contains: Illustrations.
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Very Good+ Very Good+ Dust Jacket. Dual-language hardcover with dust jacket in all-around very good+ condition. Left/even pages are in Spanish, right/odd in English. DJ protected in Mylar wraps. An excellent copy.
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Good. All pages and cover are intact. Possible minor highlighting and marginalia. Ships from an indie bookstore in NYC. Text in Spanish, English. Glued binding. Paper over boards. With dust jacket. 201 p. Contains: Illustrations.
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Like New in Like New jacket. First Edition, First Printing. Not price-clipped ($26.95 price intact). Published by W. W. Norton, 2006. Octavo. Brown cloth over orange boards stamped in gold. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. 200 pages. ISBN: 9780393060386. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
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Edith Grossman?s selection of Spanish Renaissance poetry is a fine introduction to the subject, albeit a small selection. Grossman presents secular and sacred works by several major Spanish poets, often resembling the English ?metaphysical? poets in themes. Billy Collins, who wrote the Introduction, actually calls this the baroque period. The poets featured are Jorge Manrique, Garcileso de la Vega, Fray Luis de Leon, San Juan de la Cruz, Luis de Gongora, Lope de Vega, Francisco de Quevedo, Sor Juana Ines de la Cruz.
Lope de Vega, the most prolific writer, stands out for his polish and humor. Writers will enjoy his ?Instant Sonnet,? a self-referential poem. His ?Holy Sonnet I? is exemplary for the smooth combination of pagan myth and Christian belief, a paradigm of the Renaissance not always expressed so well.
The small number of poems is necessary to present a bilingual book. The Spanish originals are useful for understanding the forms, as they are written in meter and rhyme, such as the strict sonnet. The English translations do not keep the forms completely.
This hardcover edition looks nice; it is not an academic work, though published by W. W. Norton. Grossman adds only a few basic footnotes. The print and spacing is easy to read.