In a career that spanned sixty years, Diego Rivera produced some of the most distinctive and socially powerful works in modern art. Rivera was, in a real sense, a twentieth-century renaissance man. He was a painter, printmaker, sculptor, book illustrator, one of the first collectors of pre-Columbian art, and a political activist. In both the United States and Mexico, Rivera's monumental frescos gave life to revolutionary themes, often offending critics as well as the public. In New York's Rockefeller Center, for instance, ...
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In a career that spanned sixty years, Diego Rivera produced some of the most distinctive and socially powerful works in modern art. Rivera was, in a real sense, a twentieth-century renaissance man. He was a painter, printmaker, sculptor, book illustrator, one of the first collectors of pre-Columbian art, and a political activist. In both the United States and Mexico, Rivera's monumental frescos gave life to revolutionary themes, often offending critics as well as the public. In New York's Rockefeller Center, for instance, his murals were destroyed because of public outrage over their strongly pro-communist content. Throughout his mature works, on this continent and abroad, Rivera was a champion of the oppressed. This volume celebrates the 100th anniversary of the artist's birth. Its 200 color plates and 325 black-and-white photographs illustrate Rivera's life and work from his early years at the Mexican Academy of San Carlos and studies in Spain, his subsequent eleven-year sojourn in Paris and brief involvement with Cubism in the first part of this century, to his efforts to establish a truly Mexican style in the murals for which he is most famous. Accompanying Rivera's work are essays by noted scholars reevaluating his place in the history of modern art. This book was originally published to coincide with the first major North American retrospective ever mounted of the artist, at the Detroit Institute of the Arts, where Rivera's finest works in the United States-the Detroit Industry Frescos-remain as vivid today as when they were completed fifty years ago.
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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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New in new dust jacket. Unopened in original shrinkwrap. Ship in sturdy box with bubble wrap. Sewn binding. Paper over boards. With dust jacket. 372 p. Contains: Illustrations. Audience: General/trade. Copubbed with the Detroit Institute of the Arts. Different cover than pictured. Creamy yellow background, man carrying calla lilies on his back.
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New. 0393046095. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened----with a bonus offer--
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Very Good in Very Good jacket. 4to-over 9¾-12" tall. 3rd Printing. 3rd printing of 1986 edition. Very good to fine in like dust jacket with minor edge wear. No jacket tears or chips and jacket is not price-clipped. No markings or bookplates or remainder markings. Suitable for gift-giving. NOTE: The copy we are selling has yellow dust jacket, not same artwork as some stock photos show. Originally $85 list price.