This work sets out to describe the aesthetic qualities intrinsic to the work of such architects as Le Corbusier, Oud, Gropius and Mies van der Rohe. The authors observed the distinguishing features that made possible a definition of a new "style": emphasis on volume as opposed to mass; regularity as opposed to symmetry; and dependence on the intrinsic elegance of materials as opposed to applied decoration. First published in 1932 to coincide with an architectural exhibition at the Museum of Modern Art, this reissue contains ...
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This work sets out to describe the aesthetic qualities intrinsic to the work of such architects as Le Corbusier, Oud, Gropius and Mies van der Rohe. The authors observed the distinguishing features that made possible a definition of a new "style": emphasis on volume as opposed to mass; regularity as opposed to symmetry; and dependence on the intrinsic elegance of materials as opposed to applied decoration. First published in 1932 to coincide with an architectural exhibition at the Museum of Modern Art, this reissue contains a new foreword by Philip Johnson reflecting on the impact of these principles over 60 years after they were first set forth.
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Seller's Description:
GOOD in VERY GOOD jacket. Size: 6x1x8; 269 clean, unmarked, tight pages with a small corner crease on rear flyleaf; pale spotting on outer edges of textblock; cover is clean and sturdy; very light shelf and corner wear on dust jacket with a small price sticker on front flap.
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