Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the widely chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem. On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a former prostitute; stealthy ...
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Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the widely chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem. On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a former prostitute; stealthy efforts to rob him of his virginity, which he is (almost) determined to protect; and an extraordinary gallery of treacherous characters who continually switch identities. A hilarious, 'bawdy tribute to all the most insidious human vices, The Sot-Weed Factor has lasting relevance for readers of all times.
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Here we have a tediously long but quite thorough definition of why college professors should not make use of all that they know and more than they can imagine to cobble together a picaresque travesty. Recreating an imaginary and perhaps necessarily clumsy (b'm'faith) Seventeenth Century environment solely to write a badly overplotted and underfunny Eighteenth Century novel about it seems in retrospect not to have been Professor Barth's brightest inspiration. IMHO of course as the young folks would say.