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Seller's Description:
Good. Pages are clean! The cover has visible markings and wear. There are stains or residue on the cover Fast Shipping-Each order powers our free bookstore in Chicago and sending books to Africa!
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Very Good in Very Good jacket. Size: 8x5x0; Minor shelf wear to binding & edges of text block. Text and images unmarked. Dj lightly shelf worn in a mylar cover.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Very Good-in Very Good+ dust jacket. 0374165386. Book with light damp stain to bottom edge not affecting text. Else Fine. NO notes, names or ANY markings. DJ not affected by damp, not clipped ($23); 214 pages.
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Seller's Description:
Used-Good in Good jacket. Good Condition, dust jacket is in good condition, first edition. A used book with a normal amount of wear. All pages are present. Pages may have moderate highlighting, underlining, stains or other marks. Box 108.
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Like New in Very Good jacket. Some of the twentieth century's most important artists and writers--from Jackson Pollock to Saul Steinberg, Frank O'Hara to Jean Stafford--lived and worked on the East End of Long Island years before it assumed an alternate identity as the Hamptons. The home they made there, and its effect on their work, is the subject of these searching, lyrical vignettes by the critic and poet Robert Long. Pollock moved to Springs because he thought he wanted to stop drinking, but he found a connection to nature there that inspired some of the most significant paintings of our time. Others followed him. When Fairfield Porter bought a house in Southampton, the New York School suddenly had a new headquarters, and James Schuyler and Frank O'Hara found companionship and raw material for their poems on South Main Street and on the three-hour train ride between the city and the East End. Willem de Kooning rode his bike every day between his studio in the East Hampton woods and the bay, where the light informed every brushstroke he put to canvas from the early 1960s on. In De Kooning's Bicycle, Long mixes storytelling with history to re-create the lives and events that shaped American art and literature as we know it today, in a landscape where town met country and the modern met America's rural past.