Joseph Pennells Pictures of the Panama Canal: Reproductions of a Series of Lithographs Made by Him on the Isthmus of Panama, January March 1912, Together with Impressions and Notes by the Artist (Classic Reprint)
Excerpt from Joseph Pennells Pictures of the Panama Canal: Reproductions of a Series of Lithographs Made by Him on the Isthmus of Panama, January March 1912, Together With Impressions and Notes by the Artist At the end of the town was a monument, a nondescript Columbus, facing nowhere, at his feet an Indian; but it seemed to me, if any monument was wanted at Colon, it should be a great light-house or a great statue towering aloft in the harbor, a memorial to the men who, French and American, have made the Canal. Next day ...
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Excerpt from Joseph Pennells Pictures of the Panama Canal: Reproductions of a Series of Lithographs Made by Him on the Isthmus of Panama, January March 1912, Together With Impressions and Notes by the Artist At the end of the town was a monument, a nondescript Columbus, facing nowhere, at his feet an Indian; but it seemed to me, if any monument was wanted at Colon, it should be a great light-house or a great statue towering aloft in the harbor, a memorial to the men who, French and American, have made the Canal. Next day I started across the Continent to Panama, for I learned the Government headquarters were there, and, until I had seen the officials, I did not know if I should be allowed to work or even stay on the Isthmus. But at Gatun I got off the train, determining to do all I could before I was stopped - as I was quite sure I should be. I saw the tops of the locks only a few hundred yards away, and, turn ing my back on the stunning town piled up on the hillside, walked over to them; from a bridge bearing a sign that all who used it did so at their own risk I looked down into a yawning gulf stretching to right and left, the, bottom filled with crowds of tiny men and tiny trains - all in a maze of work; to the right the gulf reached to a lake, to the left to mighty gates which mounted from the bottom to my feet. Overhead, huge iron buckets flew to and fro, great cranes raised or lowered huge masses of material. As I looked, a bell rang, the men dropped their tools, and lines of little figures marched away, or climbed wooden stairs and iron ladders to the surface. The engines whistled, the buckets paused, everything stopped instantly, save that from the depths a long chain came quickly up, and clinging to the end of it, as Cellini would have grouped them, were a dozen men - a living design - the most decorative motive I have ever seen in the Wonder of Work. I could not have imagined it, and in all the time I was on the Isthmus I never saw it but once again. For a second only they were posed, and then the huge crane swung the group to ground and the design fell to pieces as they dropped off. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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All Editions of Joseph Pennell's Pictures of the Panama Canal: Reproductions of a Series of Lithographs Made by Him on the Isthmus of Panama, January-March, 1912, Together with Impressions and Notes by the Artist
