A dazzling collection of "remarkably elegant essays" ( Newsday ) on art--and the companion volume to the celebrated Just Looking and Still Looking --from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which "the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges" ( The New York Times Book Review ). Always Looking opens with "The Clarity of Things," the Jefferson Lecture in the ...
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A dazzling collection of "remarkably elegant essays" ( Newsday ) on art--and the companion volume to the celebrated Just Looking and Still Looking --from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which "the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges" ( The New York Times Book Review ). Always Looking opens with "The Clarity of Things," the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically "American" in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Mir�, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
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Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.
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Very Good in Very Good jacket. Size: 10x8x1; First edition stated, tight, sturdy, and square, text and images very good+. Black / gilt boards are bright and clean. DJ also very good+, not clipped, now protected in Mylar wraps. NOT ex-lib. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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Fine in Fine jacket. First edition. Edited by Christopher Carduff. Small quarto. 204pp. Illustrated from color photographs. Fine in a fine dust jacket.
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New. 0307957306. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--224 pages; well illustrated, mainly in color. --with a bonus offer--