Jay DeFeo (1929-1989) was part of a vibrant community of avant-garde artists, poets, and musicians in San Francisco during the 1950s and 1960s. Her circle included Wallace Berman, Joan Brown, Bruce Conner, Wally Hedrick, Edward Kienholz, and Michael McClure. Although best known for her monumental painting The Rose (1958-66), DeFeo worked in a wide range of media and produced an astoundingly diverse and compelling body of work over four decades. DeFeo's unconventional approach to materials and her intensive, physical method ...
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Jay DeFeo (1929-1989) was part of a vibrant community of avant-garde artists, poets, and musicians in San Francisco during the 1950s and 1960s. Her circle included Wallace Berman, Joan Brown, Bruce Conner, Wally Hedrick, Edward Kienholz, and Michael McClure. Although best known for her monumental painting The Rose (1958-66), DeFeo worked in a wide range of media and produced an astoundingly diverse and compelling body of work over four decades. DeFeo's unconventional approach to materials and her intensive, physical method make her a unique figure in postwar American art. In the first comprehensive monograph on DeFeo, Dana Miller looks at the breadth of the artist's work, her cross-disciplinary practice, broad range of interests and influences, as well as pivotal moments in her career. In addition, Miller dispels misconceptions and assumptions about the artist and also offers new insight into her under-recognized works from the 1970s and 1980s. Greil Marcus explores the significance of titles in DeFeo's work; Michael Duncan considers her approach to her career and the marketplace; Corey Keller looks at DeFeo's photographic oeuvre; and Carol Mancusi-Ungaro examines her materials and processes. The book features new photography, archival images, and a number of previously unpublished works. Also included are a biographical chronology, an extensive bibliography, and an exhibition history. Distributed for the Whitney Museum of American Art Exhibition Schedule: San Francisco Museum of Modern Art(11/03/12-02/03/13) Whitney Museum of American Art(02/28/13-06/02/13)
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Fine. Text block, pages, boards and binding are pristine. Dust wrapper is like new. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.
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Good in Good jacket. Jacket edges are worn. Upper jacket edge is torn along front flap. Spine is tight. Spine and cover edges are worn. Inside is marked with pencil.
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Near fine in Very good jacket. Excellent condition. No visible flaws apart from light handling wear on jacket. Binding is tight and inside is clean and unmarked.
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Very good. Hardcover book. Still in original shrinkwrap, never opened. Little to no wear from storage. Like new. Tulsa's best used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.