This beautifully illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the nature and significance of the artist's vision and its relevance to modern audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or relevance. The book illustrates paintings by Hunt and his associates, ...
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This beautifully illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the nature and significance of the artist's vision and its relevance to modern audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or relevance. The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti, and Arthur Hughes, and also includes drawings, prints, photographs, decorative arts, costumes and archival material. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social crises of his age. By focusing on themes that remain relevant in the twenty-first century, the book sheds news light on Victorian neuroses, anxiety and the crisis of faith. Contributors include: - Jonathan Man�-Wheoki, Director of Art and Visual Culture, Te Papa, National Museum of New Zealand - Jan Marsh, independent scholar - Linda Parry, Curator of Textiles (retired), Victoria & Albert Museum - Carole Silver, Professor of English and Chair of the Humanities Division, Yeshiva University, New York - Nicholas Tromans, Lecturer, Kingston University, London - Joyce Townsend, Paintings Conservator, Tate Britain - Carol Jacobi, Associate Lecturer, Birkbeck College, University of London - Brenda Rix, Assistant Curator, Prints and Drawings, AGO - Katharine Lochnan, Deputy Director, Research and The R.Fraser Elliott Curator, Prints and Drawings, AGO Published in association with The Art Gallery of Ontario, Toronto Exhibition Schedule: Manchester City Galleries (10/11/08 - 1/11/09) Art Gallery of Ontario, Toronto (2/14- 5/10/09) Minneapolis Institute of Arts (6/13 - 9/6/09)
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1500grams, ISBN: 9780300148329.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Seller's Description:
Fair. Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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Seller's Description:
As New. 0300148321. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-AS NEW, THE TEXT BLOCK IS PRISTINE, CLEAN, UNMARKED, AND IN EXCELLENT CONDITION---Text in English. 224 pp. With 116 ills. (99 col. ). 29 x 24 cm. --with a bonus offer--