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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
New. Size: 11x8x1; New. Clean, unmarked pages. Fine binding and cover. Hardcover. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
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Seller's Description:
New. 0300121415. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--296 pp. With 256 ills. (171 col. ). 30 x 21 cm. --with a bonus offer--
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Seller's Description:
Fine in Fine jacket. Size: 11x8x1; The book and dust jacket are both like new. Yale University Press, 2007. Hardcover First Edition, First Printing. The book condition is Fine. The dust jacket condition is Fine.
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Seller's Description:
Very Good in Very Good dust jacket. Hardcover. 4to. Yale University Press, New Haven, CT. 2007. Xx, 276 pages. Illusrated in both colour and black and white. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Jasper Johns (b. 1930) is one of the most significant figures in the history of postwar art. His work from 1955 to 1965 was pivotal, exercising an enormous impact on the subsequent development of pop, minimalism, and conceptual art in the United States and Europe. This is the first publication to approach Johns's work of this ten-year period through a thematic framework. It examines the artist's interest in the condition of painting as a medium, a practice, and an instrument of encoded meaning through several interrelated motifs: the target, the “device, ” the naming of colors, and the imprint of the body. E-169; 11.7 X 8.4 X 1.4 inches; 276 pages.
