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Seller's Description:
Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Ripped/damaged jacket. The dust jacket of this book is slightly damaged/ripped, however, this does not affect the internal condition.
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Seller's Description:
Very Good in Very Good jacket. Size: 9x1x10; Yale University Press, 2007; First Printing with full number line. Binding is tight, sturdy, and square; blue cloth boards in VG+ condition, corners sharp, silver titling on spine remains bright and bold; illustrations and text also very good. Head of spine bumped. Light shelfwear to jacket, overall in very good condition, and arrives in protective Mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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Seller's Description:
Very Good+ in Very Good jacket. Size: 10x9x1; Yale University Press, 2007; First Printing with full number line. Binding is tight, sturdy, and square; blue cloth boards in VG+ condition, corners sharp, silver titling on spine remains bright and bold; illustrations and text also very good. Unclipped dust jacket in VG+ condition as well, arrives wrapped in protective mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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Seller's Description:
New. 0300104804. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 228 pp. With 147 col. Ills. 28 x 25 cm. --with a bonus offer--
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Seller's Description:
Near Fine in Near Fine Plus jacket. Exhibition Catalogue. 4to-over 9¾"-12" tall. Cloth, hard cover in dust jacket. the art historian/prior owner has his name/place/date on front free endpaper and circular blindstamp to title page. no other flaws and no wear. no text or exterior markings. no bumps, tears, creases, etc. tight binding.; english text. published in assoc. with the clark art institute in williamstown, ma; 227pp., 137 illustrations in color. catalogue, reference material.
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Seller's Description:
New/Sealed plastic worn at corners. Blue cloth boards w/ pictorial dustjacket. 226 pages: illustrations (some color). contents include: The great French artist Claude Lorrain (1600-1682)-for whom drawing was an integral part of the artistic process-spent most of his career in Italy, where he documented the beauty of the landscape and the splendor of classical ruins. This richly illustrated book examines the wide-ranging role the medium played throughout Claude's career. The book presents some of Claude's most remarkable drawings, representing all aspects of his style and subject matter-from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings, many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre. A selection of works from the Liber Veritatis (Book of Truth), a portfolio of highly finished drawings that the artist created to document his own painted compositions, is also included.
