Las sombras, the shadows, are literally that-shadows left behind when Kate Breakey places objects on photosensitive paper and shines light on them. And yet, in the inevitable reversal of photography, these shadows are full of light-and more than light. Breakey's luminous images of coyotes and whipsnakes, hopping mice and scorpions, are filled with her love of the American Southwest, which is now her home, and the animals, plants, and insects that inhabit it. As she says, "The natural world is full of wondrous things to look ...
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Las sombras, the shadows, are literally that-shadows left behind when Kate Breakey places objects on photosensitive paper and shines light on them. And yet, in the inevitable reversal of photography, these shadows are full of light-and more than light. Breakey's luminous images of coyotes and whipsnakes, hopping mice and scorpions, are filled with her love of the American Southwest, which is now her home, and the animals, plants, and insects that inhabit it. As she says, "The natural world is full of wondrous things to look at and to chronicle and catalogue. In my own way, I have devoted myself to that end." Las Sombras/The Shadows presents new work that Kate Breakey has created since moving to Arizona in 1999. Making pictures without a camera, like early nineteenth-century photographers such as William Henry Fox Talbot and Anna Atkins, Breakey also shares their affinity for recording the natural world in scientific detail, as well as with artistic beauty. Breakey's contact prints, known as photograms or photogenic drawings, have the sepia-toned look of Victorian illustrations, yet their sensibility is distinctly modern. In the way she poses the animals, Breakey's coyotes and rabbits dance; her birds fly. Accompanying the images is an essay by poet Lia Purpura, in which she invites las sombras to spark her own investigation of shadows, of the absence that paradoxically becomes a kind of presence, especially when held in a photograph. This revealing conversation between images and words opens up a new way of seeing, a discovery of substance in shadows.
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Add this copy of Las Sombras / the Shadows to cart. $57.00, like new condition, Sold by Collins Books rated 5.0 out of 5 stars, ships from Seattle, WA, UNITED STATES, published 2012 by U. of Texas.
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Fine in Very Good+ jacket. Unpaginated, square quarto, hc w/jacket, tight binding, clean and colorful throughout, clean boards with sharp corners, clean and tight jacket with light wear to the top edge.
Add this copy of Las Sombras / the Shadows: Kate Breakey to cart. $2,477.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2012 by UT Press.
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New. 029274420X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--176 pages; illustrated in color. --with a bonus offer--
Add this copy of Las Sombras / the Shadows to cart. $59.50, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2012 by University of Texas Press.
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VG (Ex art library with sticker on DJ spine and on rear endpaper; DJ is light edgeworn/scuffed/smudged; boards are lightly edgeworn; interior is clean; binding is solid. ) Black DJ with color illustration and white, purple, grey and yellow lettering; brown boards with silver lettering and illustration; unpaginated; color illustrations. "[This book] presents new work that Kate Breakey has created since moving to Arizona in 1999. Making pictures without a camera, like early nineteenth-century photographers such as William Henry Fox Talbot and Anna Atkins, Breakey also shares their affinity for recording the natural world in scientific detail, as well as with artistic beauty."--DJ.
Add this copy of Las Sombras/the Shadows (Southwestern & Mexican to cart. $137.37, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2013 by University of Texas Press.