These highly polemical discourses document the critical ideas and strategies that characterize the culture of the 1980s and record the dialectical means through which these ideas and strategies were formulated.
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These highly polemical discourses document the critical ideas and strategies that characterize the culture of the 1980s and record the dialectical means through which these ideas and strategies were formulated.
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Seller's Description:
Like New in Like New jacket. First Edition, First Printing. Published by The MIT Press, 1990. Octavo. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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Seller's Description:
Fair. First 75 pages or so contain pen underlining. Light edge wear to jacket. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
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Seller's Description:
hbk large 8vo 471pp decorated endpapers and illustrns dj mildly shelfworn now in protective sleeve otherwise an unread copy excellent clean tight unmarked as new
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VG (scratches & scuffs to boards; bump to spine end. pgs clean & bright. dustjacket lower edge curled; scuffed & scratched; light foxing to interior) Black boards w/ gilt spine printing. illustrated pastedowns & endpapers. 471 pgs w/ bw illustrations. glossy illustrated dustjacket. These highly polemical discourses document the critical ideas and strategies that characterize the culture of the 1980s and record the dialectical means through which these ideas and strategies were formulated. Engaging more than 80 artists, theorists, and critics from a variety of fields, the conversations touch on numerous topics of current contention: the relationship between theory and artistic production, the role of art in the community, the meaning of postmodernism, the effects of representation on racial and sexual stereotypes, the relationship between high art and popular culture, and the responsibilities of art institutions. Among the discussants are Michel Foucault, Fredric Jameson, Edward Said, Tim Rollins, Greil Marcus, Ethyl Eichelberger, Douglas Crimp, Roland Barthes, Julia Kristeva, Gayatri Spivak and Laurie Anderson. --Amazon.