Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, "Look At Me" draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these ...
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Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, "Look At Me" draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. "Look At Me" contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer.
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Seller's Description:
Jumbo-sized. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD.
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Seller's Description:
Fine in near fine jacket. Profusely illustrated with black-and-white photographs. 132 pages. Folio, black cloth, d.w. Chicago: University of Chicago Press, (2009). A fine copy in near fine dust wrapper.
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Seller's Description:
Fine in Fine jacket. Signed by Artist. This is a fine hardcover copy in a fine dust jacket with no wear at all. Signed in ink by the photographer, Jed Fielding, on the half title and dated 3/09. Not inscribed, just signed and dated. Illustrated in black & white throughout with Fieldings photographs of Mexican subjects, all blind. Essay by Vince Aletti. 13" high X 11" wide, 132 pages. This book will be securely packed and shipped with tracking.
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Seller's Description:
Like New in Very Good jacket. Size: 13x10x0; Some light edgewear to dustjacket. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other.
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Seller's Description:
Fielding, Jed. Fine in near fine jacket. Introduction by Britt Salvesen. Essay by Vince Aletti. 67 full page black-and-white plates, including several folding. 132 pages. Folio, black cloth, d.w. Chicago: University of Chicago Press, (2009). A fine copy in a near fine dust wrapper. Presentation copy signed by Jed Fielding.
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Seller's Description:
New. 0226248526. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 132 pp. (5 foldout) with 68 ills. 34 x 28 cm. --with a bonus offer--
