'It is singular, that my having spent a winter with one of the most dissipated women in England should have sobered my mind so completely.' Maria Edgeworth's 1801 novel, Belinda, is an absorbing, sometimes provocative, tale of social and domestic life among the English aristocracy and gentry. The heroine of the title, only too conscious of being 'advertised' on the marriage market, grows in moral maturity as she seeks to balance self-fulfilment with achieving material success. Among those whom she encounters are the ...
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'It is singular, that my having spent a winter with one of the most dissipated women in England should have sobered my mind so completely.' Maria Edgeworth's 1801 novel, Belinda, is an absorbing, sometimes provocative, tale of social and domestic life among the English aristocracy and gentry. The heroine of the title, only too conscious of being 'advertised' on the marriage market, grows in moral maturity as she seeks to balance self-fulfilment with achieving material success. Among those whom she encounters are the socialite Lady Delacour, whose brilliance and wit hide a tragic secret, the radical feminist Harriot Freke, the handsome and wealthy Creole gentleman Mr Vincent, and the mercurial Clarence Hervey, whose misguided idealism has led him into a series of near-catastrophic mistakes. In telling their story Maria Edgeworth gives a vivid picture of life in late eighteenth-century London, skilfully showing both the attractions of leisured society and its darker side, and blending drawing-room comedy with challenging themes involving serious illness, obsession, slavery and interracial marriage.
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A delightful story of a beautiful and refreshingly rational and intelligent young lady (wouldn't mind a few more of those!) who learns from the mistakes of those around her, Belinda had me burning the midnight oil from beginning to end. There are characters aplenty - a scheming and mercenary aunt, a captivating, middle-aged bon vivant with a sad secret and a crumbling marriage, servants faithful and faithless, a few harpies, and not one but two handsome suitors - and smack in the middle of it all, Belinda - smart, well-read, and very aware of the craziness around her. This is a very briskly-paced, very funny novel, with lots of talk, certainly, but plenty of action at every turn. Clarence Hervey must be one of the most unusual and intriguing heroes I have come across in a novel from this period (could you see Jane Austen's Mr. Darcy dressing up in a hoopskirt to make a point?). I'm sure that there are a lot of very academic things I could say about this novel - its treatment of race relations in an England that had not yet abolished the slave trade, its commentary on women making their own marriage choices - but that's not why I enjoyed it. It's a great story on its own.