This collection reflects on developments in criticism which bear on a debate between different modes of knowledge: a science model and its place in the university versus other ways of conceiving knowledge for which the arts have traditionally been seen as vehicles. Discussion ranges widely with contributions from outside the literary academy, including essays by the novelists Doris Lessing and David Lodge. All the essays are concerned with what literature, and therefore criticism, is or aims to be. Several are concerned ...
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This collection reflects on developments in criticism which bear on a debate between different modes of knowledge: a science model and its place in the university versus other ways of conceiving knowledge for which the arts have traditionally been seen as vehicles. Discussion ranges widely with contributions from outside the literary academy, including essays by the novelists Doris Lessing and David Lodge. All the essays are concerned with what literature, and therefore criticism, is or aims to be. Several are concerned with a specifically aesthetic way of knowing, the value of which lies in its very resistance to scientific models of knowledge. The answers about how literature can resist such models, and what kinds of knowing best respond to the distinctive nature of aesthetic experience, are varied. The collection also addresses the consequences for literary criticism of the politically-driven critique which has recently undermined traditional concepts of truth and knowledge in both arts and sciences. And finally it asks whether professional criticism should be a deepened extension of the sense-making activity of ordinary intelligent reading, or whether it should be a purely objective study, analogous to other scientific forms of knowledge studied in an academic context.
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Add this copy of The Arts and Sciences of Criticism to cart. $70.83, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 1999 by Oxford University Press, USA.
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New. Sewn binding. Cloth over boards. 276 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of The Arts and Sciences of Criticism to cart. $72.00, like new condition, Sold by GreatBookPricesUK5 rated 4.0 out of 5 stars, ships from Castle Donington, DERBYSHIRE, UNITED KINGDOM, published 1999 by Oxford University Press, USA.
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Fine. Sewn binding. Cloth over boards. 276 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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First edition. x+265 pages with index. Cloth. Fine in fine dustjacket. What can we expect of literature? And what should the role of criticism be? This collection reflects on developments in criticism and the different modes of knowledge that underwrite literature: a science model and its place in the university versus other ways of conceiving knowledge for which the arts have traditionally been seen as vehicles. Discussion ranges widely with contributions from leading academics as well as those outside the literary academy, including essays by the novelists Doris Lessing and David Lodge. All the essays are concerned with what literature, and therefore criticism, is or aims to be.
Add this copy of The Arts and Sciences of Criticism to cart. $44.69, like new condition, Sold by Paul Brown Books rated 3.0 out of 5 stars, ships from Ramsgate, UNITED KINGDOM, published 1999 by -Oxford University Press, 1999-.
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First edition. x+265 pages with index. Cloth. Fine in fine dustjacket. What can we expect of literature? And what should the role of criticism be? This collection reflects on developments in criticism and the different modes of knowledge that underwrite literature: a science model and its place in the university versus other ways of conceiving knowledge for which the arts have traditionally been seen as vehicles. Discussion ranges widely with contributions from leading academics as well as those outside the literary academy, including essays by thenovelists Doris Lessing and David Lodge. All the essays are concerned with what literature, and therefore criticism, is or aims to be.
Add this copy of The Arts and Sciences of Criticism to cart. $13.82, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1999 by Oxford University Press.
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