"What makes all of this so remarkable is not merely Bellow's eye and ear for vital detail. Nor is it his talent for exposing the innards of character in a paragraph, a sentence, a phrase. It is Bellow's vision, his uncanny ability to seize the moment and to see beyond it." - Chicago Sun-Times A Penguin Classic Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and ...
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"What makes all of this so remarkable is not merely Bellow's eye and ear for vital detail. Nor is it his talent for exposing the innards of character in a paragraph, a sentence, a phrase. It is Bellow's vision, his uncanny ability to seize the moment and to see beyond it." - Chicago Sun-Times A Penguin Classic Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and children, at odds with his vain, successful father, failed in his acting career (a Hollywood agent once cast him as the "type that loses the girl"), and in a financial mess. In the course of one climactic day he reviews his past mistakes and spiritual malaise, until a mysterious philosophizing con man grants him a glorious, illuminating moment of truth and understanding, and offers him one last hope.... This Penguin Classics edition contains an introduction by Cynthia Ozick. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Seller's Description:
Good. Trade paperback (US). Glued binding. 144 p. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Fine. Trade paperback (US). Glued binding. 144 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Trade paperback (US). Glued binding. 144 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
Fair. This copy has clearly been enjoyed-expect noticeable shelf wear and some minor creases to the cover. Binding is strong and all pages are legible. May contain previous library markings or stamps.
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Seller's Description:
The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
Saul Bellow's Seize the Day is a Portrait of the Artist as a Young Schlemiel--or failed actor. It follows a day in the life of Tommy Wilhelm who teeters on the abyss, his marriage on the rocks, who is alienated from his father, out of work, and close to financial ruin. Bellow's prose is quirky and eccentric, and his tone tragicomic. Norman Mailer has called it unfairly the first of the "cancer novels," yet Wilhelm is a figure of such pathos that the novel doesn't fully rise to the level of tragedy. Leslie Fieldler has noted that Bellow's sense of the absurd is influenced by Nathanael West, author of Miss Lonelyhearts and Day of the Locust. Even after the awarding of the Nobel Prize, Bellow himself has seemed an equivocal figure in American letters, perhaps because his novels are refractions of a University of Chicago intellectual's perspective--and reaches a pitch of sourness and bile in Mr. Sammler's Planet--for whom questions of Jewish identity have been at times peripheral. This reader's appreciation of Bellow's work has been qualified at best, and I don't pretend to be an unabashed fan.
