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Seller's Description:
Very Good. 2011. Hardcover. Quarter cloth and pictorial boards. Quarto. 175 pp. Profusely illustrated. Illustrated endpapers. Mild shelf wear to boards. Altogether a copy in Very Good condition. Very Good. (Subject: Art & Graphic Design).
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Seller's Description:
Fine. Illustrated in color and in black & white. 4to, green cloth-backed pictorial boards. (Ostifildern): Hatje Cantz, (2011). First Edition. Fine. Inscribed by the artist in the half-title.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
NF. Color-illus. paper/boards; olive green cloth spine with black lettering. 175 pp. full of color and bw images. Text in English. Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler (born 1974), as clear-eyed in its execution as it is enigmatic in content. Cutler's gouaches and drawings on paper have won fans and collectors worldwide, and their winning amalgam of rich imagination and skillful execution, which together update lineages as various as Persian miniature painting, Surrealism, children's fairytale books and Japanese woodblock printing, offers satisfactions rarely found in contemporary art. More recently, Cutler has ventured into sculptural installation, realizing her idiosyncratic world in three dimensions with a work titled "Alteraciones, " in which dozens of female figurines--produced from molds handmade by the artist--are gathered around a tabletop and are weaving a thread that binds them to each other. This volume, published for the artist's 2011 exhibition at SITE Sante Fe, is Cutler's second monograph (her first went out of print quickly and is already a rarity), and draws from private and public collections to offer a thorough survey of her work from the late 1990s to the present.
